The jumper commission ("Rolltop") is sculpted, the mold has been made and I've been making castings. The first casting is usually one that has to be thrown away, because that's the one where I find the places where the mold catches on the resin. When it "catches," that usually means the mold material has gotten stuck in the resin and torn off the mold. These are usually TINY places, so they don't usually damage the detail of the mold. The first casting also removes any clay that may have remained in the mold. So the first one is tossed. I've gotten a good casting now, so it just needs to be cleaned up (washed with Dawn dishwashing detergent to remove any oils from its surface), painted with a prime coat and then finished to look like bronze. Here's are pics of it in the mold and right after I unmolded it.
The Friesian maquette for a life-size bronze is coming along well. It's still rough, but the proportions are getting there, and some of the details are starting to show. Remember, this is a work in progress - it will be in "the uglies" for a while yet.
I try to work all over the sculpture at the same time, without focusing too much on any one spot. So while the head looks almost finished, it isn't. While the left hind hip and leg look nearly finished, they aren't. Everything's being developed a little at a time. I can see the beautiful horse starting to emerge, although most people will probably not see beyond his current not-yet-beautiful state.
I'm finding the hard clay difficult to work with. My shoulders are sore all the time despite using a hair dryer on the sculpture to soften the clay before I try to blend it or add more or carve some off. Some of my ribbon tools are being damaged from trying to carve this clay. I sure hope the results are going to be worth the effort of using this kind of clay! It's good to learn how to use a different kind of sculpting medium, but I'll be happy to go back to the soft clay I normally use.