All that said, I started a small sculpture of an Andalusian stallion doing a levade (a 45 degree rear that's held for a few moments - part of "haute ecole" or "high school" dressage. It takes incredible strength to hold that position). Several years ago, I was allowed to photograph the spectacular Andalusian stallion Alborozo at his home in Malibu. His owner, Avi Cohen, put him through all his paces and let me take all the photos I wanted which was incredibly kind and generous of him.
When I started this sculpture at Equine Affaire, it was nothing but pipe, a board and some spools of wire. I made an armature (metal support for sculpture) and started adding clay, building him up and working on his muscle masses. I haven't started work on his legs yet, as you can see in the pics below. The tail is short like that because the horse's tail is tied up this way so he won't step on it while performing.
This is where he is now:
My second new work in progress is a relief of a lovely mare that's an Arab/Welsh cross. She's a palomino with a wide blaze. I saw her pic on Facebook (she belongs to an online friend of mine) and asked if I could sculpt it. She agreed and I started on it, but life got in the way and I had to leave it unfinished for quite a while. Now I'm back at work on it and it's an intriguing puzzle to solve. It's a difficult angle to do as a relief, which is one of the reasons I wanted to try it (silly me!). This is one of those things we self-taught artists do - find a new challenge and fight our way through it as a way of increasing our skills. So this piece will go through some serious cases of "the uglies" before it becomes the beautiful piece I see in my head. Anyway, here she is along with the photo that inspired me. It'll get better, trust me!
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